Looking forward to a couple of gigs next month with Nighthawks on April 5th (Sold Out) and then MVP Dublin on April 28th with The May Alter - all to coincide with the release of a new song called ‘Six’ from the album.
📸by Emily O’Brien
News
Thoughts and missives from Pearse McGloughlin
Looking forward to a couple of gigs next month with Nighthawks on April 5th (Sold Out) and then MVP Dublin on April 28th with The May Alter - all to coincide with the release of a new song called ‘Six’ from the album.
📸by Emily O’Brien
I wanted to do a little version of ‘Your Loving Arms’ by Billie Ray Martin. Always found the vocal melody and lyrics haunting and lush but wanted to take the production in a different direction. Have a listen and let me know what you think..
https://songwhip.com/pearse-mcgloughlin/your-loving-arms
Friends,
I will share a short set of new songs for Harold’s Cross Community Festival on May 14th at 19:00. Recorded by Emil Damyanov in Badlands rehearsal studios, you can sign up for a reminder on the video below.
P
A few weeks back on my social media I shared the last song on my album ‘The Rest’, called ‘Caretaker (Requiem)’ and I just wanted to record it here, on my website as well. The song was a tribute to a friend of mine, Mícheál Gormley who I worked with. Mícheál came to lots of our gigs at Sligo Live, we played lots of music together and had great, (extensive!) music chats. He also played the bass and for this reason I have a little bassline running through the song. Although I put the album out in October 2020, I didn’t get to deliver the record to his family until recently and that was quite a touching moment.
The song was a tribute to Mícheál but also seemed fitting as I had some other loss in my family leading up to the release of the album and of course the pandemic brought its own existential weight to bear on everything. The title for the album ‘The Rest’ comes from Hamlet’s last words ‘the rest is silence’ and I managed to fit those beautiful words into the song too.
Kudos are due to Enda Reilly who I asked for a second opinion on the song, as I wanted to do it justice and sometimes you need someone objective.
I was delighted to contribute the music to ‘Shine’, a documentary about Sligo Rovers Football Club by Oisin Moran. It came out very well. A very heartfelt film.
Also here is the trailer for it which uses ‘Mare Ditat’ the first song from ‘The Soft Animal’. I love this.
Well done to Oisin on this lovely piece.
P
My good friend Enda Sheehy is doing a marathon in aid of Irish Cancer Society this Saturday in Monread Park from 7:30am.
I’ll be joining him for half of it god help him! And me too, in fairness.
So, for this week’s Sunday Stream I will contribute any tips received from the show to Enda’s fundraiser.
We will stream from Billy’s place and the set will consist of covers and requests.
Hopefully we will be able to play it as a distanced three piece with Enda Roche joining on percussion and Billy Donohue on keys.
If you can, please make a contribution to www.paypal.me/UrchinMusic, putting ‘Irish Cancer Society’ as the note.
If you don’t use Paypal you can contribute directly to Enda’s page here: https://www.gofundme.com/f/fk3rtr-irish-cancer-society
If you’re not in a position to do that, that’s totally cool of course, maybe you can share the page or invite friends. 🙏🙏
We will stream on FB Live, YT and Twitch.
Thank you.
Pearse and Nocturnes
Hi friend, I wanted to pass on this new song. I wrote it after Electric Picnic a few years ago, in what seems like another world. But it's not another world. It's the same world. Awful things are happening but alongside them beautiful things are happening too. My daughter is learning to cycle with a determined little heart. My students are showing up for class online and trying to make sense of huge change. And I want to make new music.
The song's called 'Focus' and comes from an album called 'The Rest'. I had some shows lined up to support its release which won't go ahead just now, of course, but I will share new work over the next while which I look forward to.
Focus
Song by Pearse McGloughlin. Music by Pearse, Billy and Enda.
Production by Darragh Nolan.
Beautiful artwork by my uncle Eoin MacLochlainn
FOCUS
Strange summer evening
Autumn wind blowing
Lurching from coast to coast
Blowing hot, blowing cold
And you drew everything
You knew everything
You gave focus
Red eyed morning
New light dawning
Coasting from pole to pole
Bowing low
For your glowing soul
And you drew everything
You knew everything
You drew focus
Where do your horses run?
When the seasons over
Do you tell them to gallop on
By bullets by boulders
All horses fall up on
The thorns of winter
May all horses overcome
Their bruises and splinters
And you swing with the tides and the moon
Fear can take over
When you’re burned and you’re spurned and you’re shunned
But your spirit’s stronger
So you speak with a seeing tongue
Though you shake
Though you shiver
All that blossoms is not born in the black of winter.
Recently I was at an exhibition of Irish records in The National Print Museum as the sleeve for In Movement was being exhibited there alongside lots of albums ranging from the 1950s up to the present day. It's safe to say there've been many dodgy album covers. Also, there've been lots of quite strange looking people on album covers. I was honoured to be included.
In Movement is an album design I'm proud of and kudos must be given to Stephen Kiernan (a talented drummer and graphic designer) for bringing it to life. We did a creative shoot for the cover with Kieran O'Donoghue, whom I'd met via the Life's No Picnic On the Streets project I had worked on with Depaul Ireland. Kieran also allowed us to use some of his very fine photography from an exhibition he had based around Chernobyl and the vacated areas there. Truly powerful work.
As we wandered around the exhibition I felt the whispering of Yeatsian ghosts; 'What then.?' sang Plato's ghost. 'What then?' I know how much labour and effort can go into a record. And here was but a small portion of releases. Phantoms of yesterday. Forgotten, mostly. 'Look upon my works ye mighty and despair'. Bit of that. But how could it be any other way?
I often get people asking about this cover. There's a trick there. Can you work it out?
Hi folks,
Here's a sweet new video for 'Dear Infant' shot by Fionn MacArthur of Lakeside Productions.
Stream the track here on Spotify.
Our first show of 2017 is in The Glens Centre in Manorhamilton on January 27th. Looking forward to it. P